For Those About to Rock (We Salute You) (referred to as For Those About to Rock on its cover) is the eighth studio album by Australian hard rock band AC/DC. It was the band’s seventh internationally released studio album and the eighth to be released in Australia. It was released on November 23, 1981.The album is a follow-up to their highly successful album Back in Black. For Those About to Rock has sold over four million copies in the US. It would be AC/DC’s first and only No. 1 album in the U.S. until the release of Black Ice in October 2008. In their original 1981 review, Rolling Stone magazine declared it to be their best album. In Australia, the album peaked at No. 3 on the Kent Music Report Albums Chart.
The album, recorded in Paris, was the third and final AC/DC collaboration with producer Robert John “Mutt” Lange. The album was re-released in 2003 as part of the AC/DC Remasters series.
In a 1982 interview with Creem’s Sylvie Simmons, Angus Young commented on several of the album’s songs:
“Evil Walks”: “As the name says, evil walks. It’s everywhere. Actually it’s just a catchy title with a catchy tune. We were playing it at the beginning and I said, ‘those chords sound dead evil.’ And that’s usually how we do it – just sitting around and nattering and thinking and jamming away, and someone says something like ‘evil walks’ and that’s it. Some crud just sent me a letter – addressed to Bon too – sending us these stupid things. Some people are sick. If they want to go God-bothering they should go God-bother the Pope. He needs it. We don’t…I had one idiot trying to blast away in my earhole. He started with ‘Do you believe in God?’ and I said ‘I’ve no interest in it so leave me alone.’ Their main beef is songs like ‘Highway to Hell.’ But they’re just titles. It’s only a song.”
“C.O.D. (Care of the Devil)”: Most people think COD – cash on delivery. I was sitting around trying to come up with a better one and I came up with ‘Care of the Devil’. We’re not black magic Satanists or whatever you call it. I don’t drink blood. I may wear black underwear now and again but that’s it.”
“Let’s Get It Up”: You can take it one of two ways. Let’s get it up, meaning musically up, or…”
“Snowballed”: “Meaning you’ve been conned, fooled again. And we figured we’d been tricked enough in our time, so we came out with that. It could be the woman you’re paying alimony to, anything.”
“Put the Finger on You”: “That’s basically a gangster line like they do in the movies…We’re not putting the finger on anyone in particular. It’s always been the other fucking way around.”
“Inject the Venom”: “That’s a power thing like ‘For Those About to Rock’. It just means, have it hot.” Brian Johnson: “There’s one line that says, if you inject the venom it will be your last attack. Which is like a snake – once it bites you it’s got nothing left.”
“Night of the Long Knives”: “It’s like a horror movie. Another power thing. It just sounded nice.”
“Breaking the Rules”: “It’s like when somebody says ‘you can’t do that’, at school or whatever. They were always saying that to me at school. You do it anyhow.” Brian Johnson: “But at the same time it says don’t start any fooking revolutions, don’t be a big fooking hero, just break the rules in your own way. Don’t just do what the man says and go ‘aye, okay.’ Do it the way you wanted to.”
1. “For Those About to Rock (We Salute You)” 5:43
2. “Put the Finger on You” 3:25
3. “Let’s Get It Up” 3:53
4. “Inject the Venom” 3:31
5. “Snowballed” 3:23
6. “Evil Walks” 4:23
7. “C.O.D.” 3:19
8. “Breaking the Rules” 4:23
9. “Night of the Long Knives” 3:25
10. “Spellbound” 4:28
Brian Johnson – lead vocals
Angus Young – lead guitar
Malcolm Young – rhythm guitar, backing vocals
Cliff Williams – bass guitar, backing vocals
Phil Rudd – drums
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