Clyde Jackson Browne (born October 9, 1948) is an American singer-songwriter and musician who has sold over 18 million albums in the United States. Coming to prominence in the 1970s, Browne has written and recorded songs such as “These Days”, “The Pretender”, “Running on Empty”, “Lawyers in Love”, “Doctor My Eyes”, “Take It Easy”, “For a Rocker”, and “Somebody’s Baby”. In 2004, he was inducted into the Rock and Roll Hall of Fame in Cleveland, Ohio, and given an honorary doctorate of music by Occidental College in Los Angeles, California. In 2015, Rolling Stone ranked him as 37th in its list of the “100 Greatest Songwriters of All Time”.
After graduating in 1966, Browne joined the Nitty Gritty Dirt Band, performing at the Golden Bear (Huntington Beach, California) where they opened for The Lovin’ Spoonful. The band later recorded a number of Browne’s songs, including “These Days”, “Holding”, and “Shadow Dream Song”. He also spent a short time in his friend Pamela Polland’s band, Gentle Soul. Browne left the Dirt Band after a few months and moved to Greenwich Village, New York, where he became a staff writer for Elektra Records’ publishing company, Nina Music, before his eighteenth birthday. He reported on musical events in New York City with his friends Greg Copeland and Adam Saylor. He spent the remainder of 1967 and 1968 in Greenwich Village, where he backed Tim Buckley and singer Nico of the Velvet Underground. In 1967, Browne and Nico were romantically linked and he became a significant contributor to her debut album, Chelsea Girl, writing and playing guitar on several of the songs (including “These Days”). In 1968, following his breakup with Nico, Browne returned to Los Angeles, where he formed a folk band with Ned Doheny and Jack Wilce, and first met Glenn Frey.
Browne’s first songs, such as “Shadow Dream Song” and “These Days”, were recorded by the Nitty Gritty Dirt Band, Tom Rush, Nico, Steve Noonan, Gregg Allman, Joan Baez, the Eagles, Linda Ronstadt, the Byrds, and others. Browne did not release his own versions of these early songs until years later. Soon after this, Rolling Stone mentioned Browne as a “new face to look for” and praised his “mind-boggling melodies”.