Christine Anne Perfect (born 12 July 1943), known professionally as Christine McVie following her marriage to John McVie, is an English singer, songwriter and keyboardist, best known as one of the three lead vocalists and the keyboardist of Fleetwood Mac. She joined the band in 1970. She has also released three solo albums. McVie is known for her contralto vocals and her direct but poignant lyrics, which concentrated on love and relationships. AllMusic describes her as an “Unabashedly easy-on-the-ears singer/songwriter, and the prime mover behind some of Fleetwood Mac’s biggest hits.” Eight of her songs appeared on Fleetwood Mac’s 1988 Greatest Hits album.
In 1998 McVie was inducted into the Rock and Roll Hall of Fame as a member of Fleetwood Mac and received the Brit Award for Outstanding Contribution to Music. The same year, after almost 30 years with the band, she opted to leave and lived in semi-retirement for nearly 15 years. McVie released one solo album in 2004. In September 2013, McVie appeared on stage with Fleetwood Mac at London’s O2 Arena. She rejoined the band in October 2014, ready for Fleetwood Mac’s On with the Show tour.
In 2014 she received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors.
This installment of Across The Tracks feature tune with “ONE” in the title. We’ll feature music from Keb’ Mo’, Jackson 5, Mary J Blige & U2, Creed, Christine McVie, Joe Simon, Britney Spears, Queen and much more across the tracks and genres.
You know what I like to do on a “Hump Day” evening? I like playing fantabulous music from the decade of the 80s. Yes, “Great Soul Performances 2: The 80s” will come your way later, with songs by: George Benson, Kenny Loggins, After 7, the Bar-Kays, Christine McVie, Richard “Dimples” Fields, , Anita Baker, Dynasty, Oran “Juice” Jones, Whodini, Regina Belle, and my former co-worker for all those years, one of the “Soul Brothers” of WWRL, Imhoptep, Gary Byrd & the GBE, and many more. Drop on by at 7PM ET, 6PM CT, 5PM MT & 4PM PT, for “Great Soul Performances 2: The 80s” on “HUMP DAY,” here at the “Home of the Hits,” RadioMaxMusic.Com.
Christine Anne Perfect (born 12 July 1943), professionally known as Christine McVie, is an English singer-songwriter and keyboardist. Her fame came as a member of rock band Fleetwood Mac, joining the band in 1970 while married to bassist John McVie. She has also released three solo albums. AllMusic critic Steve Leggett noted McVie’s “naturally smoky low alto vocal style”, describing her as an “Unabashedly easy-on-the-ears singer/songwriter, and the prime mover behind some of Fleetwood Mac’s biggest hits.” She contributed eight songs to Fleetwood Mac’s 1988 Greatest Hits album, including “Don’t Stop”, “Little Lies”, “Everywhere”, “Over My Head”, ” Say You Love Me” and “You Make Loving Fun”.
In 1998, as a member of Fleetwood Mac, McVie was inducted into the Rock and Roll Hall of Fame and received the Brit Award for Outstanding Contribution to Music. Since retiring from the band, she has worked on solo material in her converted barn at her home in Wickhambreaux in Kent. McVie appeared on stage with Fleetwood Mac at London’s O2 Arena in September 2013, and rejoined the band in January 2014. Her first full shows since her return came during Fleetwood Mac’s On with the Show tour in October 2014. In 2014 she received the British Academy’s Ivor Novello Award for Lifetime Achievement. – Wikipedia
Christine McVie (born Anne Christine Perfect, 12 July 1943) is an English rock singer, keyboardist, and songwriter. Her primary fame came as a member of the British/American rock band Fleetwood Mac, though she has also released three solo albums. As a member of Fleetwood Mac, she was inducted into the Rock and Roll Hall of Fame in 1998.
In 1990 the band (now without Lindsey Buckingham) recorded Behind the Mask, but the album only reached ‘Gold’ status in the U.S., and only Christine’s song “Save Me” made the U.S. Top 40. The album did, however, enter the UK album chart at #1 and reached Platinum status there. The second US single release from the album, Christine’s “Skies the Limit” did not make the top 100, but did chart the A/C at number 10. Christine had always been reluctant to go on concert tours, preferring to stay close to home with friends and family. Upon the death of her father, Cyril Perfect, while she was touring for Behind the Mask, Christine made the decision to retire from touring altogether. Despite the departure of Stevie Nicks, Christine remained loyal to Mick Fleetwood and her former husband, writing and recording a new track (“Love Shines”) for the 1992 boxed set 25 Years – The Chain, and five songs for the band’s 1995 album Time.
The members of the band seemed to have gone their separate ways until Mick Fleetwood, John McVie, and Lindsey Buckingham got together again for one of Buckingham’s solo projects. Christine McVie was soon asked to sing and play on some of the tracks. The four of them decided a full reunion was possible and Stevie Nicks was called back into the fold and the resulting live album, 1997’s The Dance, went to #1 in the US album charts. Despite her reservations, Christine complied with the band’s touring schedule, and then performed for the group’s 1998 induction into the Rock and Roll Hall of Fame, as well as the Grammy Awards show, and the BRIT Awards in the UK. Thereafter, she retired from Fleetwood Mac altogether.
In 2006 Paste magazine named McVie, together with bandmates, Lindsey Buckingham and Stevie Nicks, as the 83rd greatest living songwriter or songwriting team. (Source: Wikipedia)
||You Make Lovin’ Fun
||Isn’t It Midnight
||As Long as You Follow
||Love in Store
||When You Say
||Say You Love Me
||Love Will Show Us How
||Think About Me
||Got a Hold on Me
||Over My Head
||Tell Me All the Things You Do
||Spare Me A Little Of Your Love
||Did You Ever Love Me
||Heroes Are Hard to Find
||One More Night
||Skies The Limit
Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend — it’s an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group’s internal turmoil.
Unlike most bands, Fleetwood Mac in the mid-’70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional career took off, the personal side unraveled. Bassist John McVie and his keyboardist/singer wife Christine McVie filed for divorce as guitarist/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You’re eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard and Linda Thompson’s Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music.
Once again masterminded by producer/songwriter/guitarist Buckingham, Rumours is an exceptionally musical piece of work — he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as “Go Your Own Way” an anthemic hit. But that’s what makes Rumours such an enduring achievement — it turns private pain into something universal. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power — which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time. – AllMusic.Com
RadioMax will feature two hours of Bob Welch tunes beginning 10pm et Thursday June 7, 2012
NASHVILLE, Tenn. (AP) — Bob Welch, a former member of Fleetwood Mac who also had a solo career, died Thursday of a self-inflicted gunshot wound, police said. He was 65.
Police spokesman Don Aaron said Welch’s wife found him with a chest wound at their south Nashville home around 12:15 p.m.
Welch was a guitarist and vocalist for Fleetwood Mac from 1971 to 1974. He formed the British rock group Paris in 1976 and had hits including “Sentimental Lady” in 1977 and “Ebony Eyes” in 1978. Fleetwood Mac’s Christine McVie and Lindsey Buckingham did backing vocals on “Sentimental Lady.”
Aaron said Welch apparently had had health issues recently. He said a suicide note was left.
Fleetwood Mac’s career took off in the mid-1970s after Welch left the band. “Dreams” was a No. 1 hit in 1977 and “Don’t Stop” the same year. “Don’t Stop” later became the anthem for Bill Clinton’s presidential campaign. “Hold Me” was a hit in 1982, as was “Little Lies” in 1987.
Welch, a native of Los Angeles, scored his biggest hit with “Sentimental Lady,” which reached No. 8 on the Billboard chart. His other singles included “Hot Love, Cold World” in 1978 and “Precious Love” in 1979.