Category: In Concert

Tuesday 8pm: Bottom Line Archive Feat. Willie Nile

Willie Nile, The Bottom Line Archive 1980-2000, is two disc set, separated by a 20 year gap, and is a great example of Niles long term staying power, and the loyalty that Bottom Line owner/curator, Allan Pepper ( booker, or talent buyer does not suffice) extends to the artists that he really believes in. Exhibit A is this double-disc affair, highlighting two distinct eras in Nile’s 35-year career. It is worth noting that one of the primary reasons we can enjoy the temporal contrasts contained in this collection is simply because, when Willie was ready to come back, Allan Pepper was just as ready to welcome him back to The Bottom Line. It was a second home for me, gushes Nile. Allan and the whole vibe of the club was so musician-friendly and warm. It was just the best place to play for that reason.

It s fair to portray these two sets of music as, Disc One: The Beginning, and Disc Two: The Comeback .

Disc One was recorded at Willie s first show in New York City, with a backing band (!) and was broadcast live on WNEW-FM, right on the heels of his debut release, which was receiving heavy airplay at the station. Such was the heat of his commodity that Nile went directly from this gig and a brief NorthEast tour, to being asked to be the opening act for The Who, on their upcoming US tour. At first, I thought it was a joke, explains Willie. When I realized they were not kidding around, I immediately said Yes! It was a dream come true, and a real learning experience. To go from playing solo on Bleecker Street, to playing in front of 20,000 people in an arena, within a few months time? That s a steep learning curve! The label was against me doing the Who tour, thinking we d be sliced to pieces by their fans. “But, in fact, were were welcomed, and went over really well. We got a standing ovation in Atlanta.”

Surprising but true in 1980, when he got signed to record his self-titled debut album for Arista, Willie truly never had played with a band before. He had, however, honed his songwriting and performance skills by going out there and playing these songs, all by himself. When Mr.Nile put the band together for his first disc, he called on producer Roy Halee of Simon & Garfunkel fame and a band that included Jay Dee Daugherty the drummer for Patti Smith s band. Nile reflects, The guys came in, and were so patient and professional with me. They made making that first record easy. It was a great experience. “The band I toured with behind that was on fire and amazing and included Fred Smith, from Television, which was my favorite band back then.”
Debut performances don t typically get broadcast over the radio, but WNEW-FM was there, as Willie s eponymous first disc was receiving lots of attention and getting heavy airplay at the station. He was a New York hero, and the energy was high. Luckily for us, the tape was rolling, and a dynamite performance was captured for future enjoyment. Willie recalls, That 1980 Bottom Line show is only my 3rd show ever with a band. I had a black eye that night which you can clearly see in that picture. A few days earlier, at the very first show, my guitar tech had accidentally poked me right in the eye with the body of the guitar. I had a huge shiner for days, including my appearance on Live at 5 on WNBC-TV, the day before the Bottom Line show. It was pretty funny.” –The Bottom Line Archive

Shortly after his follow-up disc, Golden Down, was released Willie became completely disillusioned by the ugly dog-eat-dog mentality of the music industry. He walked away from the biz to raise his family in Buffalo. I never stopped writing, that whole time, explains Nile. I wrote hundreds of songs. I wrote everyday and still do. But I didn t see the point of going out and torturing myself, plus I was much happier raising my family. Though he recorded again during the 1990 s (this time for Columbia) Willie didn t make a full-on comeback until he took the reins and self-released Beautiful Wreck of The World (1999, River House). The combination of Willie s return to The Bottom Line, and the sheer power of that new album serve as quite the catalyst. Willie and band present a knockout January 2000 set – this time sharing a bill with Traffic-founder, Dave Mason. “My 2000 band was also amazing. They really got what I was doing and we had so much fun playing together that I started to enjoy myself and the music again. I’ve always been very lucky having great bands to play with in my career. Every band has been exceptional.”

My 2000 band was so great, Willie remembers. These guys really got what I m about, and we had so much fun playing together that I started to enjoy myself and the music again. It comes through loud and clear as the boys bring a slamming set of Beautiful Wreck songs, a new version of Vagabond Moon (a kind of calling card for Nile), before leaving our heads ringing with a joyful romp through The Who s Substitute.

Make no mistake Willie is still at it – right this very now. In recent years, he s recorded eight new albums and continues to tour in the US and overseas both solo, and with rock band attached. As Willie puts it, “Since it was never the fame that I was after, it was always the love of the music and making a living doing it which drove me.
I just keep doing what I do, write songs, make records and play live, and now it’s more enjoyable and satisfying than ever.”

I went from being the hottest thing on the scene to having trouble getting people to return my calls. But since fame never mattered to me, I just keep doing what I do, and it all works out fine.

Frankly, we d expect nothing less.

Hey folks, it s Willie Nile Live from The Bottom Line in New York City! –The Bottom Line Archive

WILLIE NILE: LIVE AT THE BOTTOM LINE (April 26, 1980)
WILLIE NILE BAND:

1) Vagabond Moon 4:20
2) Old Men Sleeping On The Bowery 3:38
3) Champs Elysées 3:37
4) Across The River 4:10
5) I’m Not Waiting 2:50
6) I Like The Way You Say Yes 4:22
7) That’s The Reason 2:22
8) Band Introduction 0:34
9) She’s So Cold 4:07
10) They’ll Build A Statue Of You 4:27
11) It’s All Over 3:53
12) Stood Up 3:01
13) Sing Me A Song 5:38
14) Dear Lord 3:56
15) Hide Your Love 3:30

WILLIE NILE & THE WORRY DOLLS: LIVE AT THE BOTTOM LINE (JANUARY 3, 2000)

1) You Gotta Be A Buddha (In A Place Like This) 4:16
2) Black Magic and White Lies 3:58
3) Man Don’t Live By Bread Alone 5:59
4) Vagabond Moon 4:22
5) Beautiful Wreck Of The World 5:29
6) Brain Damage 4:49
7) Song Intro 0:32
8) On The Road To Calvary (for Jeff Buckley) 5:58
9) Somewhere It’s Raining 3:24
10) Substitute 3:25

Tuesday 8pm: The Bottom Line Archive – Brecker Brothers Live – July 3, 1976

Why is this the first and only official live release by The Brecker Brothers Band, you ask? Perhaps surprisingly, it documents a group that rarely played live, much less toured extensively. This is due in part to a 1970 s music world with the constraints of a vital studio scene, wherein virtuoso musicians were kept busy tracking for television, movies, commercials, and all styles of solo spots and horn sections – regardless of musical style. We were making a living in the recording studios, recalls Brecker. The clubs paid next to nothing, as did ‘opening act’ gigs. Clive Davis was always begging us to go out on the road, but we weren’t going to blow the studio work.

Without a doubt, loud & proud describes this first Brecker Brothers Band in action. The group is put into 4-wheel drive by the sleekly-grooving, well-oiled machine that is the nimble rhythm team of Will Lee, Chris Parker and Sammy Figueroa. They constantly supply the connective tissue and hold down an undeniable and indelible groove. Keyboardist Grolnick s electric piano solos are oh-so-elegant, and he delivers the necessary clavinet funk. Guitarist Steve Khan steps up as yet another of the band s dynamic soloists, and he makes sure to bring the rock when the rock is required. The resultant blend of mayhem and form, abandon and razor-sharp execution, makes for an unparalleled meeting of clan-collective minds. Ctsy http://bottomlinearchive.com/march2015_thebreckerbrothers

1) Rocks
2) Jungle Walk
3) Cactus
4) Band Introductions
5) Night Flight
6) Keep It Steady [The Brecker Bump]
7) A Creature of Many Faces
8) If You Want To Boogie, Forget It
9) It Took a Long Time [featuring David Sanborn]
10) Sneakin’ Up Behind You
11) Night Flight* [Alternate Take]

Wednesday 10pm: In Concert – John Mellencamp 2019

John J Mellencamp (born October 7, 1951), previously known as Johnny Cougar, John Cougar, and John Cougar Mellencamp, is an American musician, singer-songwriter, painter, and actor. He is known for his catchy, populist brand of heartland rock, which emphasizes traditional instrumentation. Mellencamp rose to fame in the 1980s while “honing an almost startlingly plainspoken writing style” that, starting in 1982, yielded a string of Top 10 singles, including “Hurts So Good,” “Jack & Diane,” “Crumblin’ Down,” “Pink Houses,” “Lonely Ol’ Night,” “Small Town,” “R.O.C.K. in the U.S.A.,” “Paper in Fire,” and “Cherry Bomb.” He has amassed 22 Top 40 hits in the United States. In addition, he holds the record for the most tracks by a solo artist to hit number one on the Hot Mainstream Rock Tracks chart, with seven. Mellencamp has been nominated for 13 Grammy Awards, winning one. His latest album of original songs, Sad Clowns & Hillbillies, was released on April 28, 2017 to widespread critical acclaim.

Mellencamp is also one of the founding members of Farm Aid, an organization that began in 1985 with a concert in Champaign, Illinois, to raise awareness about the loss of family farms and to raise funds to keep farm families on their land. Farm Aid concerts have remained an annual event over the past 34 years, and as of 2019 the organization has raised over $53 million to promote a strong and resilient family farm system of agriculture.

Mellencamp was inducted into the Rock and Roll Hall of Fame on March 10, 2008. On June 14, 2018, Mellencamp was inducted into the Songwriters Hall of Fame. His biggest musical influences are Bob Dylan, Woody Guthrie, James Brown and the Rolling Stones. Rolling Stone contributor Anthony DeCurtis said: “Mellencamp has created an important body of work that has earned him both critical regard and an enormous audience. His songs document the joys and struggles of ordinary people seeking to make their way, and he has consistently brought the fresh air of common experience to the typically glamour-addled world of popular music.”

1. Love And Happiness
2. Paper In Fire
3. Jack And Diane
4. Lonely Ol’ Night
6. Rain On The Scarecrow
5. Check It Out
7. Martha Say
8. The Real Life
9. Rumble Seat
10. Get A Leg Up
11. Jackie Brown
12. Small Town
13. Minutes To Memories
14. Now More Than Ever
15. Pop Singer
16. Crumblin’ Down
17. R.O.C.K. In The USA
19. Hurts So Good
18. Play Guitar
20. Authority Song
21. Pink Houses
22. Cherry Bomb

Wednesday 10pm: In Concert: Carole King – Live At Montreux 1973

Legendary singer-songwriter Carole King announced the release of a live album and concert DVD featuring never-before-seen footage of the iconic singer and pianist’s 1973 performance — her first outside the United States — at the world famous Montreux Jazz Festival in picturesque Montreux, Switzerland. The Live At Montreux 1973 album arrive on June 14 via Eagle Rock Entertainment.

The intimate concert sees King opening solo with songs from her landmark 1971 album Tapestry including favorites like “I Feel The Earth Move,” “It’s Too Late,” Beautiful,” “Home Again” and more. King is then joined by a band she leads through a number of songs from her recently released album at the time, Fantasy. King returns to the solo format and closes the show with the timeless Tapestry classics “You’Ve Got A Friend” and “(You Make Me Feel Like A) Natural Woman.”

I Feel The Earth Move
Smackwater Jack
Home Again
Beautiful
Up On The Roof
It’s Too Late
Fantasy Beginning
You’ve Been Around Too Long
Being At War With Each Other
That’s How Things Go Down
Haywood
A Quiet Place To Live
You Light Up My Life
Corazón
Believe In Humanity
Fantasy End
You’ve Got A Friend
(You Make Me Feel Like A) Natural Woman